# Runulodu Yere 1

This next text is a translation of Dirk Elzinga’s version of the Eye-Juggler, with words borrowed from his language.

## Text: Runulodu Yere

### Text and Translation

Peya runus Tabuninda indanda yereno. Nakemeya nataronda nadurondara, udures elo, eta aÅ‹aka, narunukavas rusurusu eka. Peyas koyo yeredo kuÅ‹ino. Zeye luvunen sadurunuse. Sakemeya sataronda sadurunora, udures halo. Sekotas hatato. Saya ranarana sekoteÅ‹e, sadurunu atada hape baÅ‹ibaÅ‹i. Tabuninda indaya rinive, samas rinirinive. Nurunen PeyaÅ‹ina, naÅ‹akadu sama dimidimi sarana. Nadu sapenda pezes sara. Saya Å‹uyanda sama talile duruno hame. Alas Å‹uyago Peya durunuseye kodu.

Coyote saw Cottontailâ€™s childrenâ€™s game. They took their two eyes from their faces with their fingers and tossed them up into the air, and then they (the eyes) came down, and they caught them again and again in their eye sockets. Coyote desired to play this game. His eyes were dark and shiny. He took his two eyes from his face with his fingers and tossed them up into the air. They stopped on a sekota tree. He shook the sekota tree, but his eyes did not come down. Cottontailâ€™s children laughed, they mocked him. Coyote started to move with anger, he started to chase after them. Since he failed to get them, he left. He made new eyes out of sap. And so Coyoteâ€™s eyes are like sap (yellowish) now.

### Interlinear and Explanation

Peya runus Tabuninda indanda yereno.

Peya
Peya
Coyote
runus
runu=s
eye=LOC
Tabuninda
Tabuni=nda
Cottontail=SRC
indanda
inda=nda
children=SRC
yereno
yere=no
game=COME
Coyote saw Cottontailâ€™s childrenâ€™s game.

Here is the inalienable possession construction for the possessor::body part, and the alienable possession construction to convey kinship, and the standard way to convey experiencing by seeing using COME with an eye as the attained destination.

The names Peya and Tabuni are borrowed from Dirk.

Nakemeya nataronda nadurondara, udures elo, eta aÅ‹aka, narunukavas rusurusu eka.

nakemeya
na=keme=ya
3PLra=finger=CAUS
nataronda
na=taru=nda
3PLra=face=SRC
nadurondara
na=duronda=ra
3PLra=eye.DU.PL=GO
udures
uduri=s
air=LOC
elo
e=lo
3PLin=UP
eta
e=ta
3PLin=DOWN
aÅ‹aka
aÅ‹aka
and.then
narunukavas
na=runukava=s
3PLra=eye.socket=LOC
rusurusu
rusurusu
repeatedly
eka
e=ka
3PLin=TOUCH
They took their two eyes from their faces with their fingers and tossed them up into the air, and then they (the eyes) came down, and they caught them again and again in their eye sockets.

I mentioned in the short grammar sketch that â€œnumber is obligatory only in pronouns and rational animate nouns. All other nouns are neutral in regards to number and can be read as either singular or plural.â€ There are four exceptions: inanimate nouns that can show number. They are all body parts. They are: runu â€˜eyeâ€™, sara â€˜earâ€™, kasa â€˜handâ€™, and bana â€˜footâ€™. They have dual forms: duruno (actually durunu with vowel decay), sazara, kagasa, bavana, formed by partial reduplication. They also have plural of the dual forms: duronda, sazanda, kaganda, bavanda. The dual is used when needing to reference the parts as pairs and the plural of the dual is used to reference multiple pairs. The singular is used as the attained destination of an experience, even when the possessor is plural. All three forms appear in this story.